Metal-Geek dot com, June 2007 Archive
One foot in the gutter, one fist in the gold.  (The other fist in the cookie jar.)

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DevilDriver - The Last Kind Words 

Conty - June 29, 2007 

Coal Chamber was awful.  A band so horrible, I remember feeling sorry for them as they opened for Type O Negative while supporting their debut album (Self-Titled 1996).  Coal Chamber was met with kids who turned their backs to the stage.  Kids left venues just to get away from Coal Chamber's poisonous music.

When Dez Fafara spouted the inane lyrics “me so loco” and took himself seriously doing it, you had to forcibly hold in your vomit.  As a frontman, Dez’ artsy pretension (like, holding his arms out like a clock as he sang the lyrics “clock, tick, tick, tock”) was laughably bad.  No metal fan I’ve ever met in my whole life has taken Coal Chamber or any of its music seriously.    

In fact, one might argue that Coal Chamber unwittingly epitomized everything that was wrong with heavy music in the late 90’s.  They were a “me-too” nu-metal band desperately hanging on the coattails of a subgenre that had already outlived its welcome by 1996.  (For the record, nu-metal’s welcome lasted for about six months in 1994).  As Dez’ brainchild, Coal Chamber was designed from the inside out to emulate a subgenre that sucked already. 

At his greatest fault, Dez Fafara has truly zero musical creativity.   Period.  

And now that nu-metal is no longer hottest flavor at the coffee shop, there is no longer a reason for Coal Chamber to exist.  Instead, bands like Lamb of Gob, God Forbid, and Trivium are carving out the New Wave of American Heavy Metal, as it's called. And Dez’ has an answer for that too.

This time, his “me-too” band is DevilDriver, and they’ve just released their third studio effort, The Last Kind Words (2007).  To be fair, I reluctantly enjoyed the previous album The Fury of Our Maker’s Hand (2005).  The opening track, “End of the Line” was hopelessly groovy and catchy.  Perfect for metal Car-aoke.  On a whole the album was solid, if a little predictable.  With The Fury of Our Maker’s Hand, you knew exactly what you were getting into upfront.  Heavy? Yes.  Groovy?  Yes.

Innovative?  Absolutely not.

Groundbreaking?  Absolutely not.

With The Last Kind Words, Dez and DevilDriver deliver another totally predictable metal album that you’ve heard a million times before.  It’s fun, heavy, and precise to be sure.  But you’re not hearing any material that’s above and beyond what these guys have already done.  Basically it’s a lazy album that sounds exactly like what DevilDriver has already released on their two previous efforts.

One wonders what Dez will do when the next hot flavor of metal emerges.  In his heart of hearts, if the man really wants to make his mark on the scene, I’d like to see him present something new for once.  Something that will make me believe he can do better.  In the end, The Last Kind Words is a serviceable and well produced record.

But is it essential?  Absolutely not. 

Review  

 Tub Ring - The Great Filter

Elmer McCurdy - June 27, 2007

Ask any headbanger, if Kerry King and Jeff Hanneman left Slayer, they really couldn’t call it “Slayer” anymore.  Without the Cavalera brothers, Sepultura isn’t really Sepultura, it’s just four assholes using the name “Sepultura.”

When it was just Dime and Vinnie, they had the decency not to call it “Pantera.”

So after Zoo Hypothesis came out in 2004, three-fifths of Tub Ring abandoned the band, leaving only vocalist Kevin Gibson and keyboardist Rob Kleiner to pick up the pieces.  Zoo Hypothesis, and the album that preceded it (Fermi Paradox) were brilliant fucking records.  On Fermi Paradox (2002), Tub Ring’s second proper studio effort, they had finally grown out of the “me too” Mr. Bungle circus music style they’d become known for – and pigeonholed in.

What they became was something altogether more creative and frenetic.  On the space of a single song, Tub Ring was jumping between Death Metal, doo-wop, and (ugh) show tune music.  It was fucking beautiful.  Listening to Fermi Paradox, and even Zoo Hypothesis a few years later, you really got the sense you were hearing something no one had ever heard before.  It was metal without being cliché.  It was jazz-metal-rockabilly-musical- doo-wop fusion with all the energy you’d find at a Tub Ring live show - which usually end up with Kliener bleeding from playing his keyboard too rough. 

Seriously.

So with the release of The Great Filter (2007), Tub Ring retains only a fraction of its former line-up.  It’s Gibson and Kleiner and three dudes you’ve never heard of, but they’re still using the name “Tub Ring.”

And they should be, because this is a fucking Tub Ring album.  Hands down and without question.  And come to think of it, since it’s tough to find two Tub Ring songs that even sound remotely similar (let alone albums), anything these guys came out with would *technically* sound like Tub Ring.  That is, of course, as long as it didn’t sound like any of the other albums.

Tub Ring will never, ever, release any record that sounds anything like the one that preceded it.  I'm sure of that now.   

Great Filter is a Great record.  It’s still got the experimental metal touch going for it, without sacrificing any of the heaviness.  Songs like “Get Help (NOW!)” are heavier than anything Anthrax has done in ten years.  The break-beat intro of “Wrong Kind of Message” streams perfectly into  vibrato thrash riff driving the rest of the tune. 

It's still Metal for Nerds... Metal songs about programming, nuclear fission, Rene Descartes, and Nintendo!  Like, duh, awesome! 

But for my money, “Killers in Love” delivers the best sense of the album overall.  It’s a metal tune, built around a post-hardcore screamo pre-chorus that leads into one of the catchiest vocal lines I’ve heard in years.  Gibson goes from sounding like he could front 90’s era Earth Crisis, to sounding like he could be the tenor for a barbershop quartet.

Tub Ring is still a great band, and they deserve to be rocking that moniker – even with the line-up changes.  Tub Ring is a band that continually endeavors to be (surprise!) innovative in a genre that usually rewards heard-one-heard-‘em-all routine.  With Tub Ring, you’re listening to metal you’ve never heard before.

They’re keeping the genre interesting, and deserve to be commended for it.

Elmer out.      

Commentary 

Directed Layout 

 Fenomas - June 11, 2007 

What you probably already know is, 90 percent of the time that people go into the market to buy baby's diapers, they'll also buy a case of beer. Go into a Wal-Mart, and there's always stacks of Coors Light right next to the Huggies. At Kroger, you'll see Michelob next to the Pampers.

During a hurricane, people buy more Pop Tarts than any other food product.

If it's the holidays, women buy twice as many celebrity magazines as they usually do. Us Weekly loves the November-December time frame.

Among black people, Crouching Tiger, Hidden Dragon is the best-selling DVD of all time. That's why at Wal-Mart, you'll see it on the shelf right next to Friday and Boyz 'n the Hood. They've got Jet Li's Hero right next to New Jack City.

K-Mart, Target, all of these retailers analyze your purchasing habits so that they know how to place products on the sales floor for the next time you come in. Inside the industry, they call this "Directed Layout." Depending on the first thing you pick up off the shelf, you should see something else you want to buy every few steps.

These places know what you're going to buy before you even set foot into the store.

It's why every time walk into Target, you leave with six or seven more things than you meant to buy. It's all orchestrated. And it's worse than you think.

Obviously, there's always Kleenex right next to the adult magazines. But what you probably don't know is, most places have petroleum jelly right next to the produce section. Six steps away from where you picked up that cucumber, you'll find 12 oz. bottles of Vaseline.

You can always buy condoms in the normal spot, but if you walk over to where there's Preparation H, you'll find some there too.

And on the same shelf as sodium citrate, you'll find things like cellophane rolls, mints, and sometimes, Halloween masks.

The little aisle endcap where they keep KY and Astroglide, there's always blank videotapes two or three shelves over.

And at nicer places, webcams.

Just look.

And you'll see that it's no coincidence that kids' play handcuffs and toy knives are in the same aisle as the sponge, just further up. 

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